While our review adds more detail, the key. these windows 11 features range from letting you pick the edge tab you want to see in a snap layout and being able to use android apps on your pc in countries outside the u.s. to automatic. Us and Them (2018) Details Cast & Crew Reviews Recommendations Photos Edit this Page Director Rene Liu Screenwriter Yuan Yuan Main Role Jing Bo Ran Jian Qing Main Role Zhou Dong Yu Fang Xiao Xiao Main Role Support Role Jeremy Qu Chen De Wen / A Wen Support Role Li Dong Sun Yi Long Support Role Zhang Zi Xian [Jian Qing's neighbor] Support Role It's clear that writer/ director Joe Martin's Us and Them could be interpreted as a manifestation of Brexit/ Trump diffidence and economic inequality, donned in the garb of a home invasion DANCES WITH FILM 2021 REVIEW! Image if you made a 2021 version of Yours, Mine, & Ours but, the parents were living out their best 50 Shades of Grey fantasy; They/Them/Us explores this concept and so much more in this quirky, strange, and heartfelt comedy. The film blurs the lines between off-beat blended family comedy and raunchy sex comedy with more Donald Trump did not create the problems of "us versus them" but this problem—with its inequality and despair—helped create him. He won the presidency with votes from just 26.3 percent of eligible voters while nearly 45 percent of eligible voters stayed home. Less than one in three young Americans now say it is important to live in a democracy. . An intelligent take on global lifestyle, arts and culture Insightful reads Interviews & reviews The FT Crossword Travel, houses, entertainment & style Subscribe to unlock this article Try unlimited access Try full digital access and see why over 1 million readers subscribe to the FTOnly $1 for 4 weeks Explore our subscriptions Individual Find the plan that suits you best. Group Premium access for businesses and educational institutions. Cookies on FT Sites We use cookies and other data for a number of reasons, such as keeping FT Sites reliable and secure, personalising content and ads, providing social media features and to analyse how our Sites are used. When posh young woman Phillipa Sophie Colquhoun brings her boyfriend back to meet her callous banker dad Tim Bentinck and prissy mum Carolyn Backhouse, lunch is rather spoiled when class warfare breaks out. The boyfriend Danny Jack Roth, turns out to be not only a rude young chap with a broad Estuary accent, he’s also an armed to fill in the chip on his shoulder and make daddy pay for all the banking bailout of 2008, he and his mates Andrew Tiernan and Daniel Kendrick tie up the family and threaten them with violence unless dad opens his home safe. But first Danny insists on giving them lectures about their moral turpitude while filming himself as jokey intertitles introduce flashbacks. All in all, the effect is like Guy Ritchie has remade Michael Haneke’s Funny Games after huffing old copies of the Socialist wouldn’t necessarily be a bad thing if writer-director Joe Martin had a slightly more coherent message. As it is, all that righteous anger is undercut by the bloodletting nihilism of a last act that panders to the audience’s baser instincts. Elsewhere, there are some painfully pretentious interludes, including a would-be trippy mini-montage with a voiceover recitation of William Blake’s poem The Tyger, which is ironic because there’s a lack of fearful symmetry here. Jack Roth, son of Tim, has a certain wiry charisma, and Andrew Tiernan is even better as an embittered older man, but the rest of the cast flail with cartoonish caricatures, particularly of the ones playing upper-class gits. Movie Reviews By Reviewer Type All Critics Top Critics All Audience Verified Audience Prev Next Joe Martin is clearly a filmmaker to watch who might have worn his influences on his sleeve in this film, but he has proven he is a stylish filmmaker with a lot to say. Full Review Original Score 3/5 May 12, 2023 As the narrative continued forward, I began to lose track over what Martin was saying, and started to focus more on how dour the characters really were. Full Review Original Score C+ Jul 10, 2020 A thought-provoking film but its wayward tone and uneven execution lets it down. Full Review Original Score 2/5 Jun 5, 2019 A stylishly violent home invasion movie. Full Review Original Score B- Oct 22, 2018 Writer-Director Joe Martin's Us And Them is a class war, social commentary filtered through a post-Quentin Tarantino cinematic world. Full Review Original Score Oct 18, 2018 Turns out jerks come with all different sized bank accounts. Full Review Oct 14, 2018 All in all, the effect is like Guy Ritchie has remade Michael Haneke's Funny Games after huffing old copies of the Socialist Worker. Full Review Original Score 2/5 Oct 12, 2018 It feels as if there are three different films struggling to get out and though it can be tense, this can undercut it at times. However, it's sparkily shot and edited, and the camerawork is interesting. Full Review Original Score 3/5 Oct 10, 2018 Biting, witty and cruel class war satire that goes too grim and too far to be as much fun as it wants to be. Full Review Original Score Oct 4, 2018 The script's hyperactivity distracts enough from the fact that its musings on class conflict are underdeveloped at best. Full Review Original Score 2/5 Oct 4, 2018 Us and Them is anchored by stellar performances, Roth especially, but it can't decide what it wants to be or who it wants to champion. Full Review Original Score Apr 18, 2018 Not as sharp as it thinks it is but funnier and better handled than it sounds from its description, Us and Them benefits from a solid sense of humor and a sure hand keeping the tone steady even as it changes direction regularly. Full Review Original Score 7/10 Apr 5, 2018 Who knew an Occupy Wall Street-approved plan would end in violence? Full Review Original Score 3/4 Mar 16, 2018 The gimmicky structure and style is more distracting than effective, and it mostly fails to compensate for an underdeveloped plot. Full Review Mar 15, 2018 With frothing energy and unfettered vulgarity, "Us and Them" lances the boil of working-class grievance and watches as the infection spreads to everyone in its path. Full Review Mar 15, 2018 As sleek and polished as Us and Them looks, it finds Martin not only biting from more established filmmakers, but biting off more than he can chew. Full Review Mar 14, 2018 Us And Them might be a little slighter than expected, but Jack Roth's charismatic fire-starter has enough anarchistic anger to appreciate. Full Review Original Score 6/10 Mar 20, 2017 Us and Them feels precisely like the type of movie we so desperately need right now. Full Review Original Score 4/5 Mar 16, 2017 Roth continues to anchor the film and Martin has style to spare, but this is one of those projects that most of all makes you excited for what its star and director will do next. Full Review Mar 14, 2017 While Us and Them may be simplistic and outlandish in approach, there's no arguing with the rampant injustice onto which it shines such a harsh light. Full Review Mar 12, 2017 Prev Next Do you think we mischaracterized a critic's review? Summary Us and Them shares a unique portrayal of the rollercoaster of life in which we all partake, giving audiences heartwarming moments of bliss that lay in the naivety of youth, juxtaposed with the harsh realities of the struggle to make a satisfying living. Us and Them / Hou lai de wo men tells the story of how two strangers who met by pure chance during the Chunyun period soon become essential to each others’ existence, ready to take on the world as they fight to remember what truly matters in life. Us and Them premiered in China on the 28th of April 2018 and immediately became a box office success. With sales in Yuan equivalent to that of nearly $ million dollars made in the first day alone, Us and Them soon claimed a spot on China’s top ten native highest-grossing films of all time. This alone is a remarkable feat for Chinese cinema and Netflix didn’t take long to ensure the rights to this international piece. Us and Them is set during the uncertain economic climate of the early 2000’s in China, as we meet Xiao Xiao Zhou Dongyu and Jian Qing Jing Boran, two young commuters traveling home during the Chenyun period, a period of time during the Lunar new year in which travel traffic is immensely busy. Us and Them tells the story of how two strangers learn to depend on each other, making the often trialing journey of life a little more bearable. The audience quickly becomes familiar with the star-crossed couple as we come to understand that they will never come to be a lifelong pair through moments of tender prolepsis. Us and Them is incredibly heartwarming. I was pleasantly intrigued by the honest nature of the difficulties we face when trying to maintain a long and romantic relationship. Xiao Xiao and Jian Qing struggle together as they soon come to realize that passion and love alone will not always keep a relationship strong. Originally enveloped in each other’s unique characteristics, Xiao Xiao and Jian Qing seemed to be able to face the world with barely a penny to their name. Us and Them allows us a look into how the rat race can push us to our mental and physical limits, and how compromising on your desires can lead to more damage than good. Us and Them is the directorial debut of singer and actress Rene Liu, an established name with nearly 50 acting and singing credits. Rene Liu has outdone herself with this debut, bringing to the screen a gritty and honest look into the working class life of youth during the ever-changing 2000’s of modern China. Rene Liu’s foreboding romance pervades a great sense of worldly significance, with fleeting moments of joy entangled with the pressures of life. Us and Them translate to all kinds of people, from all different countries and different ages. Netflix made a sound investment with Us and Them as their foreign library grows constantly, satisfying a continuously higher demand for new and interesting content. Us and Them will hopefully appeal to the masses as it encourages the audience to reflect upon their own choices and reminisce about times of joy gone by. Us and Them is really a story of appreciation, a look into the value of finding kindred spirits and coming to understand that love is anything but black and white. Us and Them is a fruitful and enjoyable watch that feels natural in the integrity to stay present and applicable to working-class struggles. Zhou and Jing bring exceptional performances in their portrayal of the strained couple, dynamic in their development and sharing a chemistry that translates authentically to the screen. Us and Them is desirably realistic in its intent, where we yearn for the couple to succeed yet are left competently humbled and empathetic to their decisions throughout. Overall, Us and Them shares a unique portrayal of the rollercoaster of life in which we all partake, giving audiences heartwarming moments of bliss that lay in the naivety of youth, juxtaposed with the harsh realities of the struggle to make a satisfying living. Us and Them gives us a peerless representation of how love can evolve and change with the ever present fluctuations of life. Us and Them is an exquisite film, infrequent of cliche and short of tropes, this movie is vitally refreshing and it easily comes out top as my favourite romance of 2018 so far. Find where to watch this and more with our Discovery Tool Explore Now You can trust Louder Our experienced team has worked for some of the biggest brands in music. From testing headphones to reviewing albums, our experts aim to create reviews you can trust. Find out more about how we review. Considering it was a tour whose main message was “just love and peace”, according to Roger Waters, the Us + Them shows across 2017-2018 weren’t greeted with universal goodwill. But while old Rog is determined to keep poking the political hornets’ nest that is the Israel-Palestine question, he’s still making the most of that high-profile tour, launching a concert film in cinemas last year and now releasing it on DVD and Blu-ray at the same time as this live album drops on CD, vinyl and download. If you’d rather keep politics out of it as a Roger Waters fan? Good luck with that, the constant barrages of provocative slogans and images ranging from Black Lives Matter protests to dying refugees, are a lot easier to ignore when only presented with the music. Floyd and Waters long ago mastered the big show in terms of sound as well as vision. And there’s a breathtakingly evocative clarity to this recording even though the flying pigs, startling imagery and badgering backdrop messages aren’t part of the package. Regardless of topical agendas, Waters also knows what his audience wants. After screams, explosions and dive bombing aircraft introduce a set that was always going to make an important point or two, we’re into five tracks from The Dark Side Of The Moon sandwiching One Of These Days from Meddle. And while Speak To Me’s I’ve always been mad’ sound collage was faintly bubbling under the surface on the original album, here it’s way up in the mix as if part of a completely different the eye-popping distractions, we also notice how Waters sometimes chooses to overhaul iconic parts of his back catalogue, and sometimes lovingly preserve them. Take Clare Torry’s deathless vocal battle with mortality on The Great Gig In The Sky Holly Laessig and Jess Wolfe aka indie-folk duo Lucius tackle it maybe to task one singer would have been like handing them a poisoned chalice, and their gliding skytrail of harmonies doesn’t attempt to create the same sense of rising hysteria, but offers a more graceful, sweeping and operatic flight of fancy. On the other hand, Another Brick In The Wall Pt 2 sees Dave Gilmour’s elastic guitar licks reproduced with satisfying pinpoint accuracy by Dave Kilminster. So it’s “all about the music” for once, as less politically engaged pop pickers like to insist. But you’re not going to escape that easily. The show ends with a final reprise of Déjà Vu from 2017’s Is This The Life We Really Want?, with the stark bite of a track from The Final Cut. You can’t beat Roger Waters at this arena rock game. So join him. Buy from Amazon. Johnny is a regular contributor to Prog and Classic Rock magazines, both online and in print. Johnny is a highly experienced and versatile music writer whose tastes range from prog and hard rock to R’n’B, funk, folk and blues. He has written about music professionally for 30 years, surviving the Britpop wars at the NME in the 90s under the hard-to-shake teenage nickname Johnny Cigarettes before branching out to newspapers such as The Guardian and The Independent and magazines such as Uncut, Record Collector and, of course, Prog and Classic Rock. Most Popular

review us and them